So here's the deal: This book is indeed a soppy romance story featuring, at the end, an English Ignatius J. Reilly who gets locked in the dungeon of an ancient castle tower until he writes the second book of his genius career and the family is set back on kilter, or at least as much on kilter as the family could be.
I liked it. It felt a little ponderous and wandering, but at least it had a plot, unlike John Crowley's "Little, Big," to which I compared the book earlier this year.
If you want eccentric rural with a lot more humor, pick Stella Gibbons' "Cold Comfort Farm," but this book had a slow charm of its own, and built nicely toward the end when I suppose we should be cheering that someone connects with someone else. And they do, in ways you expect because that's how the expectations were set up waaaaaay at the beginning.
Dodie Smith does keep the story going, however, something Crowley didn't seem bothered to do. But it could have used a lot more of Gibbons' humor.
















