There is a point at which the law becomes immoral and unethical. That point is reached when it becomes a cloak for the cowardice that dares not stand up against blatant violations of justice. A state that suppresses all freedom of speech and which, by imposing the most terrible punishment, treats each and every attempt at criticism, however morally justified, and every suggestion for improvement as "plotting to high treason," is a state that breaks an unwritten law.
Tuesday, July 28, 2026
A Cloak for Cowardice
Just. Stop.
The AI slop continues to hurt.
I have not interacted with this one as I don't want to feed the algorithm.
That is the goal, of course. AI offers a refined way to produce ragebait for engagement.
Burn in hell, Dr. Marvin. (She never says that.)
Sunday, July 26, 2026
Way too Late at the Movies: Project Hail Mary
Mortgage Going Down
Friday, July 24, 2026
One Last Log
Today, and thanks in part to a random Amazon driver who had some advice on log-splitting, I got down to just one more massive log to split. And at this point, I'm not sure I'm going to cut it up. Oh, I probably will, but I'm feeling pretty tired at the moment.
I still have a lot of work to do to make this area more presentable, clearly. But getting the firewood out of the way is a big step and should make the rest of the work easier to accomplish.
Thursday, July 23, 2026
Copyright Strike Incoming
Wednesday, July 22, 2026
Book Review: The Town, by Shaun Prescott
There’s a part in Groundhog Day where Bill Murray’s Phil Connors is talking with two Punxatawney derelicts in a bar, who knows how long into his confinement in the town, where one of the derelicts says Phil strikes him as a “glass half empty” kind of person.
Phil, lost in the neverending small-town hell, replies: “What would you do if you were stuck in one place and every day was exactly the same, and nothing that you did mattered?”
The other derelict, soppy in his beer, responds “That pretty much sums it up for me.”
Phil, of course, escapes his exile in small-town hell as he gives up the self-pity and self-loathing and loses himself in service to what he discovers are the delightful characters of this small hamlet in western Pennsylvania that make the town pleasant, appealing, and definitely worth living in.
At the end of his film, having won the heart of his long-long-ed-for Rita, he says, “Let’s live here. We’ll rent to start.”
I’ve just finished reading Shaun Prescott’s “The Town,” set mostly in a dusty kinda central Australian town gradually being lost, footpaths, fibro houses, and listless, useless inhabitants and all, to a mysterious shimmer never really explained.
At first I saw Phil and the two derelicts in the town, in the story, and thought, “Well, maybe there’s redemption somewhere along the way.” I had my doubts – Prescott’s story was compared to Kafta, famous for no redemption whatsoever.
And I went with that feeling – but not with allusions to Kafka, but more with allusions to Jean-Paul Sartre, who famously wrote “Hell is other people.”
The concluding idea to Prescott’s story is similar, but perhaps even more gloomy: Apocalypse, it seems, is other people.
Because Prescott’s town suffers a nameless, formless apocalypse wrapped in the metaphor of holes appearing and causing blocks of the town and its inhabitants to disappear, but the story is really an apocalyptic tale without the apocalypse, as the people his characters encounter are a far worse fate than any mysterious shimmer could ever be.
There’s a lot about belonging to this tale, and at the end, well, nobody really finds it. There’s no surcease from the hell of the small town in the city.
Early on in the novel, we get this:
“People might be wiser to cower in towns. Maybe they wouldn’t be so devastated when the sea water rose. Maybe when everything became desperate, a small town would finally live up to the qualities that everyone believed them to have: Namely, that everyone would help one another out. Maybe the town would have tea parties during the apocalypse, while people in the city tore each other to shreds.”
Of course, people in the town tore each other to shreds, whether through a grudge, a fistfight, or general disdain. When the apocalyptic shimmer arrived and claimed victims, no one seemed too bothered, as it wasn’t them being lost forever.
The protagonist and Ciara, another small-town denizen, flee to the city, and quickly discover this:
“[Ciara] told me that everyone in the city speaks about the city in the same way that people in the town spoke about the town. They say the city is not what it used to be. If she asks what it used to be, they simply reply that it used to be more like a city.”
The apocalypse of people find them in the city, though the shimmer is long left behind. And it not needed, as the apocalypse is there all along.
Monday, July 20, 2026
The Red Herring is Ailing
So this isn't good.
Or maybe it's not all *that* bad, but it might be.
Ignore the airbag light. That's a sensor we should replace, but they're hard to find. More worrying are the check engine and VTM-4 lights. Who knows how much that's going to cost to get fixed.
We'll find out. We've got 264,000 miles on this thing so it has fought the good fight, but if we could squeeze another 50,000 or 75,000 miles out of it' I'd be happy. But it's all going to depend on what's wrong with the thing. It's been very reliable up to this point, so I hate to see it go.
It does have a few other problems: Leaking power steering, and maybe a tie rod that's causing some unusual wear on the front passenger tire. We did get it to our mechanic today, so at least that part is over.
Don't want to break the bank. But Isaac says he wants to use this car when he gets back from his mission in 2028. We'll have to see if that happens.
And for this Honda Pilot, 2005, I do mean reliable. Aside from tires and regular maintenance, we've replaced the starter. Everything else has just been hanging on.
Sunday, July 19, 2026
If this is Good, I'm Cranky
Whence the Electricity?
Interesting stuff here.
Here we are in the West, where hyrdropower abounds -- the city next door generates more than half of the electricity it needs through hydropower -- yet Rocky Mountain Power generates on. 4.8% of its electricity from hydro. That coal number is a bit unnerving.
Interesting that 10.7% of the energy it uses is unspecified. The legend on the other side of the chart says that the unspecified electric generation comes from renewable resources that the company itself doesn't own. I wonder if that's where customers like us, who have solar on the roof, fit in?
I'd be curious as well to see a breakdown on the sources of the market purchased electricity.
They are toying with nuclear at a spot near Brigham City, Utah, but that's only in the talking stages. While next door in Idaho Falls, they're a little bit beyond talk as they've got a memorandum of understanding for a number of small modular reactors to be built near the city's gas-fired peaking plant.






