It's no surprise to me that Up won a Golden Globe today for Best Animated Feature -- even with the film up against such powerhouses as Fantastic Mr. Fox and the cult favorite Coraline.
Even less surprising is that with Michael Giacchino at the helm, Up won in the category of Best Musical Score.
If you ask me -- and you certainly are, if you're reading this blog -- the win can best be summed up in the clip featured here, with animation and music summing up a life of happiness and bitterness in about 4 1/2 minutes. This bit from the film still makes me tear up. Dratted emotional manipulation that works because it pulls on exactly the right strings.
As far as I can tell, the only gash in the evening came with Best Animated Feature presenter Paul McCartney, who had to say a funny: "Animation isn't just for children, it's for adults who do drugs." What an idiot. Mr. McCartney, with all due respect to Your Beatleness, perhaps it would behoove you, for a moment, to get off that damned liberal high horse of yours and realize that the film genre you're talking about is a genre in its own right and that animation appeals to everyone because of the great storytelling, not necessarily because the characters are pixellated or drawn. So stuff your funny little drug reference down your throat.
Anyway, I'm pleased Up won a few. The folks at Pixar are excellent storytellers and voracious risk-takers. Who else would think a feature film with the stars being an annoying Wilderness Explorer and an old fart would work so well? Probably because like Russell, we, too, remember the boring parts the most.
Indy and Harry
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And another book blog is complete.
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J. Golden Kimball, the Story of A Unique Personality, by Claude Richards. 398 pages.
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Read in 2026
Al Capone does my Homework, by Gennifer Choldenko. 214 pages.
Astoria: John Jacob Astor and Thomas Jefferson's Lost Pacific Empire. 366 pages.
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Christmas Box Miracle, The; by Richard Paul Evans. 261 pages.
Complete Ripping Yarns, The; by Michael Palin and Terry Jones. 278 pages.
Cowboy and His Elephant, The; by Malcolm MacPherson.240 pages.
Dirks Escape, The; by C. Brandon Rimmer. 191 pages.
Dog for All Seasons, A; by Patti Sherlock. 244 pages.
Dragonhaven, by Robin McKinley. 342 pages.
I Capture the Castle, by Dodie Smith. 343 pages.
Kaboom Boys, The; by Elaine Hume Peake and Don Keith. 345 pages.
Last Battle, The; by Cornelius Ryan. 571 pages.
Malcolm at Midnight, by W. H. Beck, pictures by Brian Lies. 267 pages.
Mogo's Flute, by Hilda van Stockum. 87 pages.
One Corpse Too Many, by Ellis Peters. 285 pages.
Portable Door, The; by Tom Holt. 404 pages.
Possum that Didn't, The; by Frank Tashlin. 64 pages.
Rare Benedictine, A; by Ellis Peters. 150 pages.
Relativity: The Special and General Theory, by Albert Einstein. 164 pages
Social Contract, The; by Jean-Jacques Rousseau. 188 pages.
Tales of the Peculiar, by Ransom Riggs. 190 pages.
There's Treasure Everywhere, by Bill Watterson. 173 pages.
Unsung Heroes and Settlers of Bonneville County, Idaho; by Connie Otteson. 167 pages.
Will Rogers Book, The; compiled by Paula McSpadden Love. 212 pages.
Ze Page Total: 5,811
The Best Part
The Will Rogers Book, compiles by Paula McSpadden Love
We might be the wealthiest nation that ever existed, we might dominate the world in lots of things and because we are richer than all our neighbors or that anybody else, that dont necessarily mean that we are happier or really better off. The difference between our rich and poor grows greater every year. Our distribution of wealth is getting more uneven all the time. We are always reading "How many men paid over a million dollar income tax," but we never read about "how many there are that are not eating regular."
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