It's no surprise to me that Up won a Golden Globe today for Best Animated Feature -- even with the film up against such powerhouses as Fantastic Mr. Fox and the cult favorite Coraline.
Even less surprising is that with Michael Giacchino at the helm, Up won in the category of Best Musical Score.
If you ask me -- and you certainly are, if you're reading this blog -- the win can best be summed up in the clip featured here, with animation and music summing up a life of happiness and bitterness in about 4 1/2 minutes. This bit from the film still makes me tear up. Dratted emotional manipulation that works because it pulls on exactly the right strings.
As far as I can tell, the only gash in the evening came with Best Animated Feature presenter Paul McCartney, who had to say a funny: "Animation isn't just for children, it's for adults who do drugs." What an idiot. Mr. McCartney, with all due respect to Your Beatleness, perhaps it would behoove you, for a moment, to get off that damned liberal high horse of yours and realize that the film genre you're talking about is a genre in its own right and that animation appeals to everyone because of the great storytelling, not necessarily because the characters are pixellated or drawn. So stuff your funny little drug reference down your throat.
Anyway, I'm pleased Up won a few. The folks at Pixar are excellent storytellers and voracious risk-takers. Who else would think a feature film with the stars being an annoying Wilderness Explorer and an old fart would work so well? Probably because like Russell, we, too, remember the boring parts the most.
Indy and Harry
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Al Capone does my Homework, by Gennifer Choldenko. 214 pages.
Bear that Wasn't, The; by Frank Tashlin. 64 pages.
Christmas Box Miracle, The; by Richard Paul Evans. 261 pages.
Cowboy and His Elephant, The; by Malcolm MacPherson.240 pages.
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The Best Part
One Corpse Too Many, by Ellis Peters
Cadfael was left to do everything alone, but he had in his time laboured under far hotter suns than this, and was doggedly determined not to let his domain run wild, whether the outside world fell into chaos or no.
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