We're heavily into Dilbert at our house. Liam, our ten-year-old, loves Scott Adams' comic strip to the point of obsession. He asks me all the time if I have ever had a bungee boss. If my boss has pointy hair (he does not, he's bald). He's fascinated to know I work with engineers and wants to know if I work with anyone like Wally. (I don't, though most of his traits are easily identifiable in many of the people at work, myself included.)
He also wants to know if I've ever seen a primitive, donut-scavenging man clad only in sticky notes. I have not. Liam did, however, provide this drawing which I'm to use to identify such a man if he ever pops up at work.
I have to admire Liam's obsession. I was similarly obsessed with BC and Charlie Brown as a kid, though I never went as far as to delve into drawing them myself. (I spent a lot more time reading, absorbing the comics, than I did harboring delusions of actually drawing them. This is how I know Liam may well be my kid, but he's not going to be exactly like me. Which is a good thing. Trust me.)
Indy and Harry
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Here at the End of All Things
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And another book blog is complete.
Oh, Louis Untermeyer includes a final collection of little bits -- several
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Here at the End of All Things
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I’ve pondered this entry for a while now. Thought about recapping my
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Al Capone does my Homework, by Gennifer Choldenko. 214 pages.
Bear that Wasn't, The; by Frank Tashlin. 64 pages.
Christmas Box Miracle, The; by Richard Paul Evans. 261 pages.
Cowboy and His Elephant, The; by Malcolm MacPherson.240 pages.
Dirks Escape, The; by C. Brandon Rimmer. 191 pages.
One Corpse Too Many, by Ellis Peters. 285 pages.
Possum that Didn't, The; by Frank Tashlin. 64 pages.
There's Treasure Everywhere, by Bill Watterson. 173 pages.
Ze Page Total: 1,491
The Best Part
One Corpse Too Many, by Ellis Peters
Cadfael was left to do everything alone, but he had in his time laboured under far hotter suns than this, and was doggedly determined not to let his domain run wild, whether the outside world fell into chaos or no.
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